Rafael Ribas       
graphic & type design
        
info(at)rafaelribas.com
      

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Gotico-Antiqua, Proto-Roman, Hybrid, 15 typefaces, basic latin (1939 glyphs), design and production with Alexis Faudot, supervision Jérôme Knebusch & ANRT Team, 2017–2019. All fonts and specimen available here. Image: Mathieu Husz, La Grant Danse macabre des hommes, Lyon, 1499
Ghost of October, pamphlet, 195 × 290 mm, 48 p., digital printing, art direction Elisah Myriam, May 2018
Golgotha Atlas & Axis, typeface, basic latin (620 glyphs), 2016–
S/O, a film by John Gray, titles & credits, February 2019
RIP ( 1.2 ), a project initiated by Frank Smith and Antoine Dufeu, website and broadsheet, 290 × 380 mm, 4 p., offset printing, June 2018. Avaiblable on ripforever.xyz
backyardcorp.cc, website, November 2018
La Couleur du Sang  – Timothée Joly, titles & art direction, CGI videoclip, November 2018

Hermann Melville, Bartleby, the scrivener: A Story of Wall Street / Gilles Deleuze, Bartleby; or, The Formula, paperback, 110 × 170 mm, 300 p., digital printing, September 2016
T185 Fett, typeface, basic latin (208 glyphs), 2016
Opéra Comique & 12 Poems, specimens of own typefaces Golgotha & 대왕 / Le Grand, 420 × 297 mm, 4 p., digital printing, March 2018. Available on print.e162.eu
Sahara Hardcore Vol.2, digital cover, February 2018
RIP ( 1.1 ), a project initiated by Frank Smith and Antoine Dufeu, 180 × 270 mm, 240 p, offset printing, September 2016. Avaiblable on ripforever.xyz

Printemps de la typographie no. 7, poster and program (proposal), 594 × 841 mm / 148 × 210 mm, digital printing, March 2016